If you plan on shooting on the Red One, Red Epic or Blackmagic Cinema Camera 2.5K EF, you are going to need a digital asset manager on-set to offload data.
This 1.5 to 2 hour workshop is required to gain access privileges for any field laptop or DIT rig.
This workshop will be covering:
- Media storage best practices
- Digital Mag ingestion with Adobe Prelude CC
- DaVinci Resolve Live color grading over SDI
- R3D look creation and management with R3D Data Manager
- DNxHD proxy creation with DaVinci Resolve 10 for the Blackmagic Cinema Camera
- Troubleshooting tips and tricks
Please RSVP by filling out the following form. Can’t make the scheduled time, then simply fill in a date/time that works on the form.
-Chip Murphy